Percy Jackson Strikes Gold at Milton Keynes

Naomi MacKay watched The Lightning Thief: The Percy Jackson Musical at Milton Keynes Theatre – on until Sunday 7 September.

It’s hard to believe it’s been 20 years since Rick Riordan first introduced readers to Percy Jackson – a reluctant hero with ADHD, dyslexia, and a knack for getting into trouble. Two decades, 180 million book sales, a blockbuster film franchise, and a hit Disney+ series later, the bar for any new adaptation is sky-high.

This musical clears it with ease.

I’ll admit, I went in with modest expectations – bracing myself for a lightweight kids’ show. Within minutes, I realised how wrong I was. From the first note, the energy is irresistible. The score is a joyous blend of pop, rock, disco, and classic musical styles, each number as catchy as the last, and the staging grips you from the get-go.

We meet Percy, a New York teenager expelled from six schools and seemingly destined for failure. But when he learns he’s the half-blood son of a Greek god, his world flips upside down. Thrust into a quest to prevent a devastating war among the gods, Percy sets off with Annabeth – wise, fierce, and fearless – and Grover, his loyal satyr friend.

This could easily have been a straightforward monster-battle romp, but instead it’s clever, funny, and unexpectedly moving. The set may not be packed with Hollywood-style spectacle, but its inventiveness is part of the magic. Surprises keep coming, and the production never takes itself too seriously – a perfect balance of adventure and humour.

The gods themselves steal scenes, painted as both powerful and hilariously flawed. Dionysus, played with a retro 1950s flair (think Dirty Dancing’s camp activities director), and Poseidon, the ultimate 80s surfer dude, brought plenty of humour to the show.

The cast is a triumph. Vasco Emauz (Back to the Future: The Musical) shines as Percy, capturing both his rebellious spirit and vulnerability. Kayna Montecillo (Starlight Express) is a commanding Annabeth, and Cahir O’Neill brings warmth and comic charm as Grover.

The rest of the ensemble dazzle in multiple roles – Simone Robinson brings some serious vocal talent as Sally Jackson, Niall Sheehy brings gravitas as Mr Bruner, and Aidan Cutler delivers scene-stealing comedy as Mr D.

The show zips along with infectious pace, pausing only for the poignant number, The Tree on the Hill.

Whether or not you know the books or films, it doesn’t matter – this production stands firmly on its own. As the final bows drew cheers, I found myself thinking: I’d happily watch it all again. And that, surely, is the sign of a truly great musical.

The best news? You still have until Sunday to catch it at Milton Keynes Theatre. Don’t be fooled into thinking it’s just for teens – this is a dazzling, funny, heartfelt adventure for all ages. 

Book your tickets now at atgtickets.com/MiltonKeynes.